What's New > CATR 2022 Call for Papers and Sessions
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“Performing Emergence: RePlay, ReCollect, ReExist”
A hybrid conference on the Theatre Agora website with online hosts STU (May 27-28) and UTSC (June 6-7) and in-person at the University of Lethbridge (June 12-14).
Deadline Extended to Friday, November 26, 2021.
CATR 2022 emerges into a hybrid in-person and online conference! Online hosts St. Thomas University and the University of Toronto Scarborough and in-person host University of Lethbridge welcome the Canadian Association for Theatre Research (CATR) in supporting conversations in drama, theatre, dance, and performance studies and practice. We seek paper and session proposals in English and French within and outside the conference theme.
“Performing Emergence: RePlay, ReCollect, ReExist” sends the clarion call to scholars and artists to share their emerging research related to all aspects of theatre and performance studies, practice, and mentorship. We are open to all theatre and performance subjects of interest. But we are particularly intrigued by “Emergence.” Post-nationalist, afro-futurist writer adrienne maree brown draws from an eco-biology perspective, saying, “In the framework of emergence, the whole is a mirror of the parts. Existence is fractal—the health of the cell is the health of the species and the planet” (brown 2017). Far from pure novelty, Robert Daniel Austin and Lee Devin observe that for artists, “Inclusion of past actions into materials of creation is the force that drives emergence” (Artful Making 2003), while Josette Féral observes that, “Ces technologies sont souvent liées à l’émergence de nouvelles formes scéniques” (Pratiques performatives 2012). How does “Emergence” relate to how theatre and performance practices reflect on, interrogate, and respond to the COVID-19 pandemic and its interwoven emergencies, including health care crises, climate change, classism, and economic disparity? Moreover, we ask how do Indigenous and racialized experiences, sexual orientation, and gender identity continue to be impacted by these emergencies?
Emergence, in part, speaks to Adolfo Albán Achinte’s concept of “re-existence,” in which groups question and make visible “practices of racialization, exclusion and marginalization, procuring the redefining and resignifying of life in conditions of dignity and self-determination, while at the same time confronting the bio-politic that controls, dominates, and commodifies subjects and nature” (translated in Catherine E. Walsh’s “The Decolonial For”). We might ask, through what means can performance forge a path of re-existence? Consider: RePlay (historical re-enactment, dramatic repetition, original practices, second runs, theoretical retakes, emerging into performance), ReCollect (gathering energy, synergy of activism, taking pause, personal and cultural memory, critics and critical traces, amateur and nonprofessionalizing discourses, archival emergences), and ReExist (Indigenous sovereignty and ways of knowing, social justice, inequality, renewals of scholarly disciplines and performing arts industries, interventions into pedagogy, leadership, and mentorship, conversations about careers outside theatre and performance studies and practice, dramatic and dramaturgical emergencies). Proposals developed from these approaches are encouraged, but by no means required.
They invite proposals to present Panel Papers and to organize various Session formats. Each proposal should include the following details: your name, institutional affiliation (if any), 50-word bio, Paper or Session title, and preferred mode of delivery (in-person at U. of L., online synchronous, hybrid in-person-and-online synchronous, online recorded asynchronous, or ‘no preference’). Please also include the details listed for your paper or session type below, and how any Session expenses (e.g. artist honoraria), if applicable, will be covered.
Panel Papers / Curated Panels / Praxis Workshops and Performances / Roundtables, Seminars, and Working Groups